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Conference News 2
ALA Annual Conference 2014
Updated: 2 hours 51 min ago
In Iran, whoever goes to jail because of what they write is a hero in the eyes of the people,” author Azar Nafisi says. Through her 2003 memoir Reading Lolita in Tehran, which spent 117 weeks on the New York Times bestseller list, and Things I’ve Been Silent About, as well as her presentations about literature and culture, she has elevated public discourse about the political nature of reading. Educated in Iran, the UK, and the US, Nafisi returaned to Iran in 1979. She moved back to the US in 1997 and became a citizen in 2008. She is a lecturer for the Foreign Policy Institute at Johns Hopkins University’s School of Advanced International Studies. American Libraries spoke with Nafisi as she was completing Republic of Imagination, which is scheduled for publication this fall.
AMERICAN LIBRARIES: Your efforts to promote literacy and books of universal literary value are directed primarily toward young people and adults.
AZAR NAFISI: Oh, definitely. They are directed toward readers in general. I think that readers have so much in common no matter what background they come from or what age they are.
Where do you see the need being most pronounced?
That is a very difficult one because I think the need belongs to each and every one of us. You know, Joseph Brodsky, the Russian-American Nobel Laureate, talks about how writers are persecuted or imprisoned and we can protest that. But the worst thing that can happen to an individual or a nation is becoming indifferent to reading. So right now, this is not a matter of one group, although we should always pay attention to the youth because they are the hope of the future. Our efforts and focus should also be very much directed toward how we have our children read books, both the way we encourage them at home as well as when they go to school.
In an interview you did with Huffington Post that was published February 3, 2014, there is a quote from you: “It’s not so much this generation’s fault that they have become indifferent toward the sort of complexity that is needed in order to enjoy a great book.”
Definitely. Time and again, especially since I started thinking about this book I am currently writing [Republic of Imagination], I keep asking myself about what my generation did. You know, I have a lot of complaints about the state of education. I have a lot of complaints about how we do not pay enough attention to the treasures of this country as well as the heritage of the world, which is our libraries. I think the fault lies not with the children who come into the world very innocent but with the legacy we leave them. Especially since I returned to the US in 1997, I’ve noticed a negative dominant attitude toward the idea of reading, of humanities and the liberal arts that was rather shocking to me—although not among the whole population. I’ve traveled over the past 15 years to 34 or 35 states, and when I talk to the young people, I see how much they crave passion, how much they crave meaning in their lives. When they talk I see that urge in them. And I ask myself whose fault is it if that urge is not satisfied?
If that urge isn’t channeled. . .
Yes, it has to be channeled. I mean we can’t just expect our youth to instinctively go to the libraries, or to have a love for books. But children have a natural curiosity and there is in each and every one of us this urge to know. And although my experiences are very different from my daughter’s, we share the same human urge. And where do you go to satisfy that curiosity? One of the first places you go is a library. It is a public space. A library is one of the best gifts society can offer its citizens.
I was in Montreal for a book tour and my escort was telling me that she was an immigrant from Eastern Europe who had nothing when she and her loved ones came here. They were just barely making a living and during the daytime her mother would take her to the local library and leave her there. She told me that what gave her the will to love life was just sitting in that library and picking up books and reading them. So that instinct for survival is mixed with the instinct for knowledge. It’s just sad that people don’t take that seriously.
What role do you see librarians having in helping students think more critically?
Libraries have become a second home to so many children, and especially a place where people talk about books and reading and learning almost as luxuries. I remember when I was speaking at the Free Library of Philadelphia, and people were telling me how mostly children coming from the inner city, whose parents both worked and did not have enough money for a nanny or private school, took them to libraries. That’s just another world because children have access not only to books but to a community. And I think how libraries have been in the forefront of using the internet in the best way possible—showing us that it has uses other than tweeting what you’re wearing right now.
But when you go to a place like a library, you see how every space, both physical as well as virtual, is used to genuinely connect. When I was in Iran I did not have access to this sort of thing and the only library I could use was that of the university where I was teaching. Since I returned to the US, one of the first things I did was to check my local library. At first, we lived in Potomac, Maryland, and I wrote most of Reading Lolita in Tehran in the Potomac Village Library. And later when we moved to D.C., again the first thing that I did was check out my local library, the West End Library. I know almost every single person in that library. When I go there I still feel that pang of excitement, like when I was a child and my father would take me to the bookstore. I love to talk to my librarian and we have so much in common. And the library is in every sense of the word, a portable world.
So that is what I try to tell friends and students and people around me, that one of the first things we should do is support our local libraries. To us—to me and my family—it means a lot. Usually before buying a book, I check it out of the library, because I had so many personal libraries at different times at my home, and each time I had to leave the books behind. And so I guess that makes me even more attached to the community library.
You often speak about promoting literature that has universal literary value. What are your standards for judging how a book has universal literary value?
People talk about the canon but I think the standard is how books or works of imagination endure throughout the ages because of readers. It is very difficult to define a standard. But the great books, no matter what background, what country, what nationality they come from, appeal to our basic humanity. And that is why, you see the same theme, the same story in Sophocle’s Antigone, written in Greece 2,000 years ago, repeated in a television program like Boston Legal. That is what amazes me. Or Vīs and Rāmin (The Story of Love) in Iran. From the 11th century on, we have had at least three versions of what we call the Romeo and Juliet story, and it is said that one of the 11th-century Iranian poems that has been translated into English was the inspiration for Tristan and Isolde. Isn’t it fantastic that a student who was born in the Islamic Republic of Iran (not even the pre-revolutionary Iran) would read Tristan and Isolde or Romeo and Juliet or Zora Neale Hurston and empathize and her heart breaks? And a student in Washington, D.C., would read the great epic poet Ferdowsi or Dante or Jane Austen and the same emotions come through her. This is the most important aspect of imagination, that it knows no boundaries, and as readers we have a responsibility to keep books alive.
As you know, libraries collect a great deal of material that does not endure. How do you feel about libraries collecting a lot of popular works that don’t necessarily have that value?
Many of the books in a library are a reflection of books that endure. But there are so many genres that I enjoy. For example, I love mystery tales. Actually in my new book, I talk a little bit about my most favorite mystery writer Raymond Chandler. And I talk about how Chandler did for mystery writing what Twain did for the novel in terms of the kind of language, the kind of sensibility he brought. In one sense a great mystery tale also has a moral center and focus to it. It makes us curious not just to find out who the murderer was but it makes us curious about the world around the victim and the criminal, the complexity of these characters.
Vladimir Nabokov used to say “Readers are born free and they ought to remain free.” So I feel that readers should have freedom of choice. I hate to make statements that are a complete affirmation or negation but in this case I’m pretty sure that readers will choose books that will endure in libraries. After all, who was the audience for Greek tragedies? Who was the audience at the Globe when Shakespeare first came into being? Or Dickens? Who read any of these great authors who now have become part of the canon? It didn’t start in universities. That is why I would like to focus on the readers because we should have respect for the readers. And with respect and freedom of choice for the readers comes responsibility. It is not just up to the writers, the librarians, the bookstore owners to preserve books and the integrity of books. It is up to us. I would like to reach out to communities. If we live in a democracy, especially in this democracy where we talk about the people, we can’t only rely on the elite. If we want the government to do something for us, we have to show that we really want it. Nobody is going to give it to us. So, coming from a society that was ruled by a government that never listened and closed the libraries to us, I feel that I have to do my share.
Your father took you to bookstores as a child. Was there a public library system?
When I was a child, even, libraries were very small.
Were they private?
Yes, they were private. When I left Iran in 1997 I had become the keeper of three libraries—my father’s, my own, and my brother’s, which we sort of gave away after I left. There was the National Library but it was very difficult to go. Some schools had small libraries, and then later on at the end of the 1970s when libraries were flourishing, especially for children, the revolution happened. And as you know, liberal arts and humanities are the canaries in the coal mine. Whenever freedom of expression is threatened, it comes with banning books. And so that is what happened in Iran. And after the revolution even more so. Both my children and us, we were dependent on these private libraries. And when my brother and I were children, my father would give us books as a gift. If we were good for that month, then we would get a certain number of books as a reward. So I always looked at books as a reward, not as a task. Reading was never a task.
It’s a wonderful way to teach the value of books.
Oh, definitely. And that is why the library plays such a role. Because first of all, it doesn’t matter whether you’re rich or poor, what background you come from, the library belongs to you. It is important for children to learn that everything they want to have or that is precious in life should not be all privately owned, that the community is concerned enough not just about their bodies but about their imaginations, that the library provides a community center for them. I love the idea that my children go to a place where other children are, and I love to think of libraries as a meeting place for children because usually libraries have these spaces where children play or read. And sometimes when I go to the library I look at those faces completely immersed in the pages of a book and it is beautiful to see that.
Yes, it is.
Well, you know far more than I do because you have always had that experience. For me stories became very much like Alice’s story, where wonderland is in your backyard. You don’t have to get up and go. All you have to do is pick up a book. And each book has its own voice, its own texture. It is like meeting all these different individuals.
What drew you to a career in teaching and writing about literature?
Like all good things in life, I really don’t know. Part of it was that I was born into a family where some were writers and historians. Even for those who had other professions, writing and reading were part of their lives. I was 9 when I started writing my diary, and in my family, especially my father’s family, we had this game we played with my cousins where we would both write poetry and recite our poetry to one another. So, when I went to school, at first I wanted to be a kindergarten teacher when I was 13. Then I just instinctively—I went to school in England—I took my O level and A level in literature, both Persian literature and English literature and then when I went to college, it was obvious that I would be taking literature. So it wasn’t so much that I chose these professions. It was in a sense that they chose me.
When I was first teaching, I was scared of publishing anything. But when I went back to Iran and I started teaching, there were so many things I wanted to say. And as you know, it is very different when you write for yourself or when you write for an interlocutor, when you write to have a conversation, which is what I wanted. So I just wrote. You know, it’s like love. You never know why.
It just exists.
It just exists. I regretted many things in life and the way I’ve gone about things, but what I have never regretted, never looked back on, is my profession and I connect to people through it. I find people who are strangers to me become intimate strangers. It is very existential.
You share and they share in return.
Yeah. Some of the most genuine relationships I’ve had are with readers and myself as a reader. Because if someone talks to you, not just because they love your book but sometimes even when they hate your book, it is authentic. How many people I’ve heard say they hate [Henry] James, they hate Nabokov. What do you see in Austen? You know. Genuine like or dislike of books comes from the heart. And that is what I enjoy, that affair of the heart.
You’ve been in the US long enough to know that there’s a belief here that it’s impractical careerwise to get a degree in literature. How do you respond to that and is there a difference culturally in Iran?
Well, first of all I think Iran is a little bit like Latin America or some European countries like France where literature and humanities as a whole are very much respected. People will go to jail for it, not just because of what they have written but what they have read.
That’s a huge sign of respect in itself.
That is the highest respect a regime can pay. I remember the first time I saw Salman Rushdie. He very generously came to my table to tell me that he liked my book and I was sort of tongue-tied. What I wanted to tell him came out as if I was saying you deserved to die. But what I meant was they bestowed the highest honor by wanting to kill you because in Iran, whoever goes to jail because of what they write is a hero in the eyes of the people. And if the tyrants want you to be eliminated, hopefully nothing will ever happen to you, but that is a sign of their weakness and your strength. Rushdie didn’t want anyone dead. He just wrote a book. So that comes from the inner confidence of a writer, that you write the truth. Your loyalty is not to any state. It is to the truth of what you’re writing. But for them, this truth is so dangerous that they want to eliminate you and your book alongside of it.
The fact is that Iranians have poetry very much at the center of their lives—even among people who are illiterate. I mention in several of my books that my father always told me that Iran is an ancient country and it has been invaded so many times, but what maintains our identity as Iranians is our poetry. People in the traditional coffee houses in Iran read poems by the great epic poet [Ferdowsi], whose 1,000-year anniversary of his book was in 2010. Frequently, truck drivers in the back of their trucks have a poem by our great poet Hāfez-e Shīrāzī. When our children are born, we sometimes open the book of the poet Hāfez to ask him about the future of our children. When I was a child and I still couldn’t read, I could recite the poets because my father would teach this classical and very difficult poetry to me. And many of the squares and streets in Tehran and other cities are named after the poets. We have Hāfez Street and the street named after the agnostic poet [Omar] Khayyám, a street name that this regime couldn’t change even though it hated him. We have statues of poets in the middle of our squares. And it’s not just that you see Mark Twain if you go to Hartford, Connecticut. You see the literary statues everywhere.
So, as far as how the Americans view literature study as impractical, that’s something beyond your experience.
Yes, but not just as an Iranian. No. This is as a new American. This is a reflection on American society. The most important job in the world should be the job of a teacher, or the job of a librarian, or the job of a museum curator. These people are the reason we progress, why we move forward. Literature is not just an escape from reality. It is showing you the depth of reality that you cannot see. And to deprive our children of imagination—I don’t know what these people think. They think we can remain a great nation and not be able to think and imagine? And that is what worries me. And they talk about these same founders, most of whom read Greek and Latin? Even George Washington, who was a soldier, talks about having a national university in the capital, and that literature and science are the basis of a nation’s happiness. He doesn’t segregate literature from science. They go together. So we have a lot of problems right now.
How are we to get back a sense of balance?
We should not be defensive because we have nothing to defend. People who are so shortsighted, who think you can have innovation without imagination—those are the people who should be on the defensive, even if they have a lot of power.
You write quite a lot about removing threats to personal freedom in society. What threats do you see these days?
One thing is that the world is in a period of transition in economic terms, as well as the changes in technology and so many other things, which puts us in a very dangerous period. It can also be very exciting. We are creating a new future and this is partly why we have this crisis. It is dangerous if we ignore the legacy that world civilization and each of our nations has left for us. And the great danger I see today in America is that, in the name of the American dream, we worship crass materialism. When we tell our children that they go to college, not because they have passion, not in order to have meaning in their lives, not in order to give back to their society but to become part of Wall Street or achieve success at any cost—then it becomes really dangerous. Money should not be the goal but the means to other goals. And that is not why people like me come to this country.
There is this misunderstanding that if you’re poor, then literature and art, imagination and ideas, become a luxury. This is furthest from the truth. Some of the most amazing people I have met through my books and some of the most amazing places I have been, have been the inner-city schools. People, no matter where they come from, whether they’re rich or poor, want a better life spiritually and intellectually as well as materially. And a lot of times they live in their imagination. This crass materialism and lack of imagination really worries me. Even our president, who is accused of being an elitist, in his State of the Union address talks about science, technology, and engineering, and doesn’t make any mention of humanities and liberal arts , that these fields are interdependent and that we should encourage our children.
That is what worries me most—when learning is talked about as something elitist. Americans should be very much insulted by that because it suggests that only the rich both deserve and need to go to museums, to have access to books, to be able to read poetry, and not be limited to what is called today informational texts. As if you can have information and use it critically without thinking or imagining. That is the basis of information. Information is not knowledge by itself. And these are simple things which our elite seem to have forgotten. They should go and read their John Adams.
In some circles, it’s elitist to suggest that. People seem to think you’re getting on your high horse.
Yes, and people who are talking about museums or libraries—all these public spaces that the public needs to nourish their minds and their hearts—they talk about all of these things as if the public doesn’t like it. The jewels in the crown of this nation are the Smithsonian and the Library of Congress and the monuments all around. First of all when you go to the monuments, when you read what Lincoln or Jefferson or Martin Luther King had to say, their language resonates with Shakespeare and Milton and the Bible. And then when I go to the National Mall and the Smithsonian, crowds of people come and none of these people belong to Congress or the very rich. They’re just ordinary people. To turn imagination and thought into a luxury in a democracy—I can’t understand it. Maybe imagination and thought were a luxury in the Soviet Union or in a country that is under tyrannical rule, where the rulers keep the best things for themselves, but for heaven’s sake, you know, don’t talk about it as if you are a defender of democracy.
I always quote Frederick Douglass’s speech when he was at the opening of the school in Manassas for African Americans. What he said really stayed with me: “We need to work with both our hands and our heads.” So what he’s talking about in that speech is that the head and the hand go together, and that is what I used to think of as American pragmatism—not the hand alone or the head alone, but the unity. And what we have now is American utilitarianism, and that is not what this country was founded on, and I think the American people should take it back. I mean all these small liberal arts colleges I’ve been going to and giving talks at, they were all built by either religious missions or the farmers. They’re in the middle of an Ohio farm. Or I was at Mount Holyoke or the Emma Willard School, and in all of these, you imagine those women at that time, how hard they worked in order to have one school for girls. It all seems to be in the past. But I hope not.
How does your forthcoming book Republic of Imagination continue the dialogue you’ve been having through your other books?
This feels like the last in a trilogy. When I was in Iran, I wrote a book on Vladimir Nabokov, and I wanted to talk in that book about the relationship between reading Nabokov and the realities under which I read him. But I couldn’t write it because of the censor. I couldn’t talk about it in an open manner, so I wrote a book that was basically literary criticism but I tried to experiment with it. And through that literary criticism I let the reality of Iran at the time sort of shine through. And then when I came to America, I really wanted to talk about this because in Iran I couldn’t do so directly. In Iran I had started this diary in which I had written about the reality of going to a concert in Iran, reading Jane Austen in Iran, reading Lolita in Iran, and beside it I had put my experiences of those books that related to it. And I was giving talks here about reading Lolita in Iran, and it turned into that book.
Republic of Imagination is based on a comment that a young Iranian man made to me at one of my book signings in Seattle. He said, “These people over here don’t care. They don’t like to read books.” And I asked the question, “Can a democratic society survive without a democratic imagination?” Out of that thought this book came out. My memoir, Things I’ve Been Silent About, was a sort of farewell to my parents and the country of my birth, the country that I had loved. And it was both a love letter and a bitter love letter as well. And I felt with Republic of Imagination, I was greeting this new country that has welcomed me. Because of that, I want to talk about what kind of an American I imagined myself I would want to be. And I cannot imagine myself being the citizen of a country that does not appreciate or respect or love imagination and ideas.
I said earlier we shouldn’t be on the defensive. I mention in Republic that when you love a place, you start grumbling, because you want it to be perfect. If you want to call a place home, then you’re concerned about that home. And when I felt in America that I was uncomfortable, that I wanted certain things changed, I knew that I was feeling at home. Everywhere I’ve gone in the world, including America, before I went to the real place, I had an imaginary map of that place. And so I’m talking in this book about that imaginary map and the real one and where they intersect because I think the country that has produced Mark Twain and Emily Dickinson and Ralph Ellison is not a country that could reject imagination and thought. Actually some of the more poetic statesmen, when you read Jefferson or Adams or Lincoln, or when you read John F. Kennedy’s statements on the importance of art and culture on the walls of the Kennedy Center, you think, “God, this country is so poetic.” And we should remember the poetry.
I think it still does inspire people and hopefully we’ll see more evidence of that.
Yes, and that is why we worry. We worry when we have hope because then you want change. So I’m quite hopeful.Issue: July/August 2014Category: AdvocacyTags Vocabulary: #alaac14
Multiple platforms in the ALA exhibit hallby Marshall Breeding
The exhibit hall at the ALA Annual Conference in Las Vegas provided both a respite from the weather and a chance to learn about the latest developments in library technology. As the world’s largest exhibition of library products, the ALA Annual Conference continues to be a unique opportunity to assess current technologies from an almost comprehensive representation of library vendors.
A somewhat smaller exhibit floor this year illustrates the fewer number of vendors that registered compared with last year in Chicago (5,607 vs. 6,125). But the numbers were still ahead of the 2012 Annual Conference in Anaheim, California (5,124). Exhibitors mentioned that the traffic in the hall was busier than usual, with many attendees opting to stay close to the convention center during the day and venture out in the evening for networking at receptions, restaurants, and other venues.
The diverse array of products at the conference reflects the reality that libraries face today: managing collections that comprise all media and formats. New platforms and evolving systems help libraries manage higher proportions of electronic and digital materials, even as they maintain their print collections. The stakes are especially high with discovery services that function as the primary portal and provide key touchpoints with library users. Developments in discovery products are expanding the universe of available content, providing more sophisticated search capabilities, and—above all—making it easier for patrons to find things and increasing their engagement with the library.
The strong presence of suppliers of self-service stations, book sorters, and other automated materials-handling equipment on the show floor demonstrates that libraries continue to manage extremely high volumes of print materials. The proliferation of digital scanning equipment on display supports the efforts of libraries to create digital collections.Expanded services
The ongoing rounds of mergers and acquisitions have taken its toll on the numbers of booths in the exhibit hall. The acquisitions of Polaris and VTLS by Innovative Interfaces stood out as one of the top news events surrounding the conference. Current and prospective Polaris customers were keen to visit Innovative’s booth to learn more about the implications of the acquisition on the Polaris product line, which Innovative insists will remain intact. VTLS came into Innovative’s fold on May 30, so shortly before the conference that its booth arrangements had already been set, though the shift in corporate branding was apparent.
Innovative representatives showed off the latest versions of Sierra (the company’s new library services platform that is racking up new implementations at a vigorous pace), Encore Duet (a discovery interface integrated with EBSCO Discovery Service for article-level search), and the Polaris ILS, as well as many other products and services. Along with its expanded European operations headquartered in Dublin, Ireland, and a support and development center in India, these strategic acquisitions represent a major development for the 36-year-old company.
SirsiDynix, another library automation giant, announced BLUEcloud Campus for academic and school libraries. This new offering builds on the web-based BLUEcloud components—deployed through a multi-tenant software-as-a-service (SaaS) platform—that have been the company’s recent focus of development, integrating electronic resource management components provided by EBSCO Information Services. While SirsiDynix has seen a resurgence with public libraries, evidenced by the recent purchases by the Chicago-area SWAN consortium and the Chemeketa Cooperative Regional Library Service in Salem, Oregon, the company is developing BLUEcloud Campus to strengthen its position in other sectors.
Also on display at the conference, eResource Central provides capabilities for the management and delivery of e-content. SirsiDynix’s acquisition of EOS International in 2013 translates into yet one less booth at the conference, but the special libraries–oriented EOS.Web is now on display through SirsiDynix.
As a company specializing in technology for academic and research libraries, Ex Libris is now promoting its new library services platform, Alma, full bore, with its initial development complete and many deployments now live in many regions of the globe. The implementation of Alma underway at the Orbis Cascade Alliance consortium in Eugene, Oregon, continues to generate attention as a precedent-setting model of shared infrastructure among a diverse set of academic libraries. Ex Libris continues to showcase Primo as its strategic discovery service, providing article-level access through the Primo Central index. One of the newer developments announced at the conference was a collaboration with YBP Library Services to streamline processing of acquisitions performed on the GOBI3 platform with workflows in Alma.
The Library Corporation (TLC) demonstrated the latest versions of both families of its automation products, Library.Solution and CARL.X. The LS2 PAC interface has been recently redesigned to provide a more elegant experience for library patrons, with a responsive design that accommodates smartphones as well as tablets and full-sized computer monitors.
The company continues to develop and support CARL.X for the largest tier of municipal libraries. Its selection by the Metropolitan Library System of Oklahoma City reflects its ongoing viability in the marketplace. The biggest news at TLC related to its announcement of CARL.Connect, a new-generation product based on CARL.X that provides new web-based interfaces for all the staff functions of the CARL suite of products. It will ultimately replace the current set of Windows-based clients. The company also announced its second generation of APIs for the CARL platform.
ProQuest announced at the conference the foundation release of Intota, a new cloud-based platform designed to provide discovery and management of all types of library resources. This initial release includes the capability to manage e-resources, including support for demand-driven acquisitions; a new knowledgebase of metadata describing the universe of electronic, print, and digital resources; and collection analysis and assessment tools, integrated with the Summon discovery service. It does not yet include the functionality to manage print resources, currently expected in 2015, that will allow a full transition from a library’s legacy ILS.
ProQuest also introduced a new version of its 360 Link, sporting an improved approach to connecting users to full text through a feature it calls “Index-Enhanced Direct Linking.” The company also previewed its new ebook reader initially deployed for ebrary, and its intent to create a single ebook platform that consolidates ebrary and Ebook Library. In addition, Serials Solutions has now been fully integrated with ProQuest, though its ownership status has been longstanding.Beyond content
EBSCO Information Services, like ProQuest, has become heavily involved in the technology realm in addition to its flagship content products. News related to its EBSCO Discovery Service (EDS) included the release of a new Hosted Curriculum Builder plug-in to create and manage course reading lists in a learning management system based on resources available through EDS. Leveraging its recent acquisition of Plum Analytics, the company announced that PlumX has been extended with the capability to include usage statistics from its own databases and those available through EDS.
Following the release of a new practice recommended by the National Information Standards Organization, Open Discovery Initiative: Promoting Transparency in Discovery, the day prior to the opening of the conference, EBSCO issued a statement asserting its support.
The Follett island in the exhibits space reflected the recent internal consolidation of the company, with a more unified structure for its products and services oriented toward preK–12 districts, schools, classrooms, and libraries. A unified business, Follett School Solutions now offers print and electronic textbooks, ebooks, the Titlewave procurement platform, Destiny Asset Manager (device inventory), Classroom Connections (digital instructional tools), and the Aspen student information system. On the library front most relevant to this conference, Follett has recently enhanced its Destiny Library Manager, used in more than 55,000 schools in the United States, to include a Universal Search feature that provides discovery of collections of print materials as well as digital resources available to students and teachers from a wide variety of vendors.
As always, OCLC had a massive presence at the conference, both in the exhibit hall and through its many sponsored events. In addition to its many metadata and resource-sharing services, OCLC featured its WorldShare Management Services (WMS) and WorldCat Discovery service at its booth. Just prior to the conference, the University of Delaware became the first ARL member institution to deploy WMS in production. The new WorldCat Discovery consolidates both WorldCat Local and the FirstSearch services, and provides a new central index for more than 1.5 billion resources.
A new report developed for the OCLC membership, At a Tipping Point: Education, Learning, and Libraries, provides statistics, observations, and analysis on the habits and perceptions of information consumers regarding online learning.
Auto-Graphics, a company specializing in automation and resource-sharing products for public libraries, showed off the latest release of its VERSO 4 integrated system. The system has been redesigned to run on tablets, allowing staff to perform tasks away from the service desk and library patrons to access the online catalog remotely. Auto-Graphics has also reworked the user interface design; a new user experience module provides tools for librarians to modify results pages and create widgets that can be embedded in resources. The company also has a partnership with ChiliFresh to integrate social interactions, book reviews, and other features seamlessly using the APIs of the two respective platforms.
A first-time exhibitor, the Danish company Reindexknowledge came to introduce their fully web-based integrated library system for small libraries in the US. Around 150 libraries, primarily in Scandinavia, currently use the Reindex system, and the company is hoping to attract interest in other regions.Open source
Companies providing services surrounding open source automation products were also well represented at the conference. Equinox Software, the dominant support vendor for the Evergreen ILS, demonstrated its new Sequoia hosting platform, designed to provide a scalable and robust hardware environment and support services for open source products including both Evergreen and Koha. Equinox also had on hand FulfILLment Version 1.0, its new interlibrary loan product.
ByWater Solutions, which specializes in hosting and support services for the open source Koha ILS, demonstrated its latest features, including an advanced cataloging module. ByWater emphasizes that it works in close partnership with its customer libraries as well as a global community of Koha developers.
LibLime, a division of Progressive Technology Federal Systems, previewed its new DLS 3.0, which consolidates the functionality of Academic Koha with digital content management. DLS 3.0 also includes a new cataloging editor, a geospatial discovery tool with support for GeoMARC, and a map interface in its discovery layer for search and retrieval of geo-tagged records.
BiblioCommons demonstrated an ever-expanding set of capabilities in both its BiblioCore discovery platform for public libraries and its BiblioCMS environment, a comprehensive virtual presence that replaces the entire library website. One of the earliest companies to provide full integration of ebook discovery and lending, BiblioCommons has completed its API-level integration to support libraries that subscribe to the ebook services from OverDrive, 3M Library Services, and Baker & Taylor’s Axis 360. It has also partnered with Zola Books to integrate its “Bookish Recommends” service that offers reading suggestions to patrons based on an algorithm that taps into a database of 500,000 titles and 1.7 billion relationship elements. BiblioCommons has also extended the capability for library staff to create recommendations and reviews.Ebooks
The ebook arena is bursting with improvements by the primary lending services, full participation by developers of online catalogs and discovery services for the smooth integration of ebook discovery and lending, and tools for library staff to manage procurement and demand-driven acquisitions. The ReadersFirst initiative has clearly made an impact not only in improving the availability of ebooks from publishers for library loans, but also in improving the ease by which patrons can discover, check out, and download titles to read on their devices. Technologies related to ebooks were one of the hottest areas of interest of the conference.
3M Library Services launched its new 3M Cloud Library app that provides a completely redesigned user experience for patrons to search, browse, and check out ebook or audiobook titles. The app offers new features, such as the ability to create personalized categories for organizing content and to tag favorite genres. 3M has continued to expand the volume of content available through new publisher partnerships, resulting in a catalog of more than 300,000 titles from which libraries can select ebooks to offer to their patrons. The company also continues to improve its family of products related to self-service and security of a library’s physical collections.
OverDrive, a pioneer and the dominant provider of ebook and audiobook lending services to libraries, featured its “eBook Lending Roadmap,” which outlines its recent accomplishments and ongoing developments. The company continues to expand its content offerings and the lending models available, and it has released a series of APIs that enable the integration of its platform with library catalogs and discovery services. OverDrive announced an upcoming improvement in the way that patrons use the service through eliminating the need for activation of the Adobe account, which has notoriously added to the complexity of ebook check-outs.
A new widget, called the OverDrive Readbox, helps connect libraries to their users by offering samples of materials that can be obtained from any local library with an OverDrive subscription. Libraries can embed ebook samples in their local environments. In a move that bodes well for an even greater impact on public libraries, OverDrive has made agreements with The Huffington Post, BuzzFeed, and Bing to embed book excerpts in articles using Readbox.
OdiloTID has developed a lending platform that allows libraries to purchase and manage their own titles in addition to integrating with those accessed through subscriptions from OverDrive, 3M Library Systems, and Axis 360. The statewide ebook pilot project eVokeColorado has adopted the company’s OdiloConsortia. Odilo also supports the ebook lending environment for the Douglas County (Colo.) Libraries. While fairly new in the United States, the company is well established in Spain and has expanded into Latin America.Mobile apps, scanners, and RFID
A robust trend to deliver library content and services through smartphones and other mobile devices, both through products shown in many of the vendor booths and through a pavilion in the exhibit hall devoted to showcasing mobile products, was pervasive at the Las Vegas conference. The pavilion offered a schedule of presentations allowing vendors to demonstrate their mobile apps. Given that mobile access to the web exceeds that of desktop computers in many contexts, the emphasis on mobile technologies was exceptionally relevant.
A number of vendors offering digital scanning hardware and software showed an impressive assortment of products for both patron self-service and library staff involved in digitizing projects.
- Kodak Alaris demonstrated a variety of products that enable high-volume scanning and processing of digital images. At this conference, the company emphasized its new software drivers that allow Macintosh computers to use its scanning equipment, expanding beyond its longstanding support for the Windows platform.
- Digital Library Systems Group, a business unit of Image Access, demonstrated an impressive array of scanning equipment in its prominent booth. Its product line ranges from its Click and BookEdge scanners that allow patrons to copy or digitize library materials to the Bookeye scanners for high-quality library digitization projects and the WideTEK models for large-format materials.
- The Crowley Company offers both a full range of scanning equipment and services for libraries interested in outsourcing some of their digitizing projects.
- Scannx provides a variety of scanning products designed for libraries, but also offers a cloud-based platform designed to enable more user-friendly and efficient workflows for scanning. Its Book ScanCenter provides an electronic document management system with a variety of options, while Scannalytics allows libraries to improve their scanning productivity through analyzing metrics gathered during system operation.
Technologies based on RFID tags also continue to prosper, especially among busy public libraries.
- EnvisionWare demonstrated its RFID self-service and theft-detection systems based on RFID technology as well as products to help libraries manage access to public computers and printers. The company integrates with the patron databases of any of the major integrated library systems for authentication and fee management.
- D-Tech, a European firm that recently expanded into the United States, offers a variety of library self-service based on RFID and other tagging technologies. The company recently introduced holdIT, which enables patrons to securely pick up requested materials from designated drawers in a self-service kiosk, allowing unattended fulfillment of reserves.
- Bibliotheca, an international library technology firm, featured a variety of products including self-service kiosks, mobile tools for inventory, and products for the automated return of library materials.
- For libraries with high-volume circulation interested in sorting and automated materials handling, companies such as Lyngsoe Systems, mk Solutions, P.V. Supa, and Tech Logic all brought impressive products to see in action.
The many vendors who invest in the conference by participating in the exhibit hall make an important contribution, not only in their financial support, but also in lending their time to engage with current and potential customers. This year it was particularly impressive to see not only the capabilities of the products on display but the individuals staffing the booths who were able to provide a high-level overview or answer in-depth questions. As always, the exhibit hall complemented the extensive ALA conference programs to create an excellent opportunity to learn about the state of the art in library technology.
MARSHALL BREEDING is an independent consultant, researcher, and author.Issue: July/August 2014Controlled Vocabulary: DigitizationProfessional DevelopmentTechnologyTags Vocabulary: #alaac14
The ScoopOn Mary Russell and the joy of librariesBy Mariam Pera
Laurie R. King is the bestselling author of 23 books, known for her detective/mystery fiction, including the Mary Russell and Sherlock Holmes and Kate Martinelli mysteries. She spoke Monday at the United for Libraries Gala Author Tea during the 2014 ALA Annual Conference and Exhibition.
American Libraries: What kind of books did you enjoy reading when you were younger?
Laurie R. King: If there was a genre, it would have been science fiction. When I was very young, I of course did the whole girl thing of horse books and Walter Farley was my great fantasy. But as soon as I settled into a genre, I became very fond of science fiction. If you told me 30 years ago that I would be a writer, I would’ve assumed that it was going to be science fiction, but as it turned out, no.
AL: What sparked your interest in religion and theology?
King: I’m a child of the 60s. Enough said? [Laughs.] I started in on it when I was at the University of California–Santa Cruz, which is a very interdisciplinary school, and was interested in what the Hindus call "the thread that runs through the world’s religions"—the common themes you look at in various world traditions. So I did my bachelor’s degree in comparative religion, and then I wanted to more closely focus on my own tradition, the Judeo-Christian tradition, so I did my master’s in Old Testament theology at the Graduate Theological Union at Berkeley, looking at mostly the Old Testament and specifically the role of women and the feminine in God. It’s quite interesting how Mary Russell the character has interests that are similar to mine. It’s extraordinary how our tastes are close. [Laughs.]
AL: Tell us a bit about introducing Mary Russell to another fictional character like Sherlock Holmes versus a historical figure.
King: I tend to do one or the other in books. A couple of the books have real-life characters. Some have fictional characters like Kipling’s Kim. But then you get down to Sherlock Holmes, and you say, “Are we dealing with a fictional character here?” [Laughs.] I was interested in how the mind is a kind of engine that can be used to power a number of different motors, machines. If you take that engine of the mind, a habit of thought, the interaction of the senses and analysis, and you put it into an upper-middle-class Victorian male, it’s going to look like one thing. If you take that identical motor and put it into a woman of the modern era, it’s going to look very different. That was what really interested me in the books at first; how the two of them can be so very similar and yet come out so very different. I think that’s something I keep exploring, that the two of them see the world in such a similar way.
AL: You mentioned during the tea that PBS was responsible in part for your inspiration of incorporating Sherlock Holmes.
King: I can’t remember what series was playing on TV; this was 1987, and I couldn’t tell you what programs were then being broadcast, because they worked their way through the [Sherlock Holmes] stories fairly quickly. But I’m relatively certain that it was going on at the time because it put Holmes into my mind in a way that it wouldn’t have been otherwise. Because I didn’t read Holmes, I didn’t watch a lot of old film; obviously everyone is aware of Sherlock Holmes and what he looks like, what he does. But the immediacy of the character would not have been there in my mind for ready use if it hadn’t been for the Granada Film Television series that happened to be playing. I think it was a happenstance of a series of events that happened to come together. And if it would’ve been someone else, I might’ve written Mary Russell meeting someone entirely different.
AL: How are you interacting with libraries today?
King: If it comes for just pleasure reading, modern stuff, I tend to buy it. I tend to support my books because I think it’s my responsibility as a writer. And I also love books, and a lot of them, if they’re not books I want to keep permanently (because at a certain point you run out of shelves) I donate them usually to the Friends of the library and they can either use them or sell them. But I do use research libraries a lot, because there’s an awful lot of the stuff that I do that isn’t available. Theoretically, there’s a lot of stuff available that’s been scanned in the Google Project. In practice it’s sometimes really tough to get at it, and it’s not a really friendly way of using them. You can’t just flip through an e-manuscript. So I depend very heavily on the availability of a lot of books from my time period—I’m writing two series now set in the 1920s. So I need books that are reflective of that time, not looking back or an analysis of what was happening. Sometimes those are helpful, but for the most part, I need something that gives me what’s going on then and there. And that’s libraries.
AL: How has your writing process changed over the years after 23 books?
King: I think that really between 20 years ago and now, the basic difference is I’m now writing on a computer. I used to write with a fountain pen, and as soon as you could actually sit with laptops on your lap, I shifted over to them and I began to actually compose on a screen. Always before, I’d write something out and then transpose it. I think, too, having 20 books makes me aware that I always go through certain phases in books. I always get to about page 200 and I feel that the book only has another 20 pages to it. That’s not a novel, that’s at best a novella. And I get in a panic. Well, every book has been that way. So after awhile, you begin to say, “Yeah, never mind. That’s okay.” So to just not panic is very helpful, and to know that everybody has their own writing style. Mine happens to be what to an outsider looks very disorganized. I don’t outline. Often I don’t know exactly where the book is going. I know where it starts, but because I don’t do a formal outline, it looks to somebody who does outline as though I’m just winging it. But I think for those of us who don’t outline, there is the machinery of the outline process, but it’s in the back of our heads. I know that somewhere back in my brain I know very clearly where this book is going, because if I start to push it elsewhere, the brakes are screeched on. If I am writing and I discover that I so hate what I’m doing that I’d rather go clean the oven, that kind of writer’s block is usually a sign that there is something about to go wrong in the manuscript. And it tells me I need to go back and check to see where I’ve started to paint myself into a corner. That tells me that there is an organizing principle back there, it’s just not in the front of my head, and it’s not on paper on my wall. But it seems to be fairly efficient.
AL: Do you have a quota or page count for how much you’d like to write in a single day?
King: When I have a first draft going, I usually have a rough word count that I aim at. Any kind of self-employed job is hard enough without being a bad employer on top of it. So you have to give yourself a break, take days off. There are certain times when you need to go care for grandchildren or need to fly somewhere so honestly you just can’t write today. But I do try to do however number I’ve set myself. It partly depends on how close I am to deadline. If I’ve got a very generous length of time, I will aim for 1,000 and usually hit 1,500 words a day. If I’m really pushing it, I’ll aim at 2,500 and not always get there, but that’s where I’m aiming. And I think it helps keep the pace at a certain production. I’m fortunate in that I’m a fairly rapid writer, so it doesn’t take me 10 hours to do 2,500 words.
AL: Do you have any specific library stories that you’d like to share?
King: My mother was actually a librarian—not trained. But we lived in a small community outside Tacoma, Washington, called Dash Point. And Dash Point was not an incorporated town; it had two little markets and a community hall where basically everything the community did happened in this multipurpose room. They had a kitchen for potlucks, chairs, and a stage, and one of the rooms had doors along three sides of it that folded together and locked with padlocks. And when you opened the doors, there was your library. And my mother was the librarian three afternoons and one evening a week. So I got to go and get my hands on all the new books, because it was part of the Tacoma library system so they would send out new books. It was a treat because I’d be there helping Mom stamp the cards and I could get my hands on the books first. That was my introduction to the joys of libraries.